***** ABC’s with TECB ***** 2012 ***** YEAR in MUSIC *****

abc w tecb 2012

2012 was big for music. John Mayer made a comeback. Green Day dropped three albums. El-P put more than his name into every critic’s mouth. Frank Ocean and the rest of OFWGKTA came out of the closet. A band named “fun.” existed. Pussy Riot happened and cries of injustice saturated Facebook statuses until it was time to Instagram lunch. And Barack Obama signed to Roc Nation. Lucky for me, things I care about also happened in the past three-hundred and sixty-five days. This is my 2012 year-end post. An alphabetized breakdown of the year’s highlights in music. I hope you enjoy. Creek my gangnam style:

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Some Words with Waatu – Subscapes [Waatu Revisit]

The Great White North is known for a few things; polite citizens, snow, hockey, having a queen of another country on their currency, and being a short drive from New England so countless 18-year-olds can legally drink in bars. They’re also known for their hip-hoppery. Bigger names like Kardinal Offishall and Marco Polo, lesser names like Choclair and Saukrates hail from there, and a few super-indie cats that I’ve gotten to know through these here pages of The Echo Chamber Blah … I mean Blog.

Waatu is one such cat. The producer/emcee hails from the Quebec province and is known, at least by me, for making some dark, gritty productions for emcees, as well as for his own duo, Verbezerker, with him and Vig Vega. His most recent release is a revisit of Our Hellical Mind’s Subscapes EP, which just dropped today, November 1st. If you’re not familiar with Our Hellical Mind, they’re a U.K. based, two piece live-band that rocks as hard as K.G. and J.B. when they’re taking out the devil.

I was just conversatin’ with my partner-in-paragraphs, Chris, about my recent disdain towards remixes. I felt that too many producers were spending too much time remixing famous rappers’ popular songs and not spending enough time honing their craft and building with artists specifically for original tracks. Don’t get me wrong, I like a good remix, but I felt like our inboxes here at TECB were being inundated with them. Enter Waatu and Our Hellical Mind. This “revisit” is much more than a remix, Waatu sampled OHM’s 3-track EP and created his own sound and completely transformed OHM’s sound back into his own. A concept at it’s finest, OHM’s rock heavy sound is clearly evident here, but Waatu left his hip-hop roots all over it like a piece of Banksy vandalism … er … art.

Let’s see what you think, here’s Our Hellical Mind’s “Get Money” :

And here’s Waatu’s “Get Money” with help from Vig Vega on the mic:

Stupid fresh. I got to sit down with Waatu and we rapped about this here EP…

Verbal Spacey: When you first heard Our Hellical Mind’s Subscapes, did you want to remix/revisit and make a Waatu-twist to it, or did you take it on as challenge?

Waatu: I usually remix hip-hop tracks, so I had no “lets-remix-stuff” idea in mind at the time. I met Shep (OHM’s bassist) through mutual friends, Duke01 or HeDreamtMars, on Twitter. He approached me to remix their 2nd EP, ‘analogftw’ which featured Duke01 and Dwyzak, I dived into the remix opportunity building around the vocal stems of the original project, similar to what I do when I put my hands on rap acapellas on the net.

When Shep asked me to remix Subscapes, he told me I had to remix the EP sampling the original tracks… and find people to rap on them. I took it as a challenge, yes.

VS: I’ve heard of concept albums and remixes, this is a conglomeration of both it seems. I know you’re a fan of Death Grips, did you channel your inner Death Grips for inspiration for rapping over a rock inspired backdrop? You find it harder or easier to sample from someone like Our Hellical Mind compared to a more traditional hip-hop source?

W: Definitely, I get inspired by those bands that sit between genres, even if I think that Death Grips is hip hop. I have their latest album in the iPod on repeat all day, huge fan. The Death Grips energy is unmatched, especially if you get a chance to see them in a show, it’s just crazy.

For me, the whole “sampling hip hop to make hip hop” takes the creative part out of making music, I mean, it is already hip hop-tailored, so… I rather sample TV commercials, dot matrix printers and obscure rock bands. I’m a producer, first and foremost, I only take the microphone when the track is asking for it, i.e. the “Get Money” track, I pieced together the instrumental and recorded the hook in the same session, sent it to Vig Vega with a note “This is what you have to build your lyrics around, have fun.”

VS: You and Vig Vega are Verbezerker and now you have a new tandem endeavor, you and Issuez a.k.a. Maxx Reebo as Agent Provocateur. What should we expect out of that cross-Atlantic partnership?

W: The whole project took shape during the London riots in 2011 through Twitter conversations and DMs with Maxx Reebo. I had this beat with snippets of people talking about the riots going on, I proposed it and the project name to him and he immediately liked the idea. It’s not a project about the London riots, but inspired by, it’s important to say. It’s a heavy piece, heavy drums, as usual, Maxx Reebo comes in with serious food for thought, we also managed to squeeze a few guests on this, whether it is on the microphone or turntables. I’m not allowed to get those names out in the open right now, keeping it a secret until the whole thing is wrapped up completely.

VS: Sounds like it should be intense. If a TECB reader is brand new to Waatu, what would you want them to know before the delve into this Subscapes Revisit?

W: I like beer and poutine. Jokes aside, I want them to know that this album is just one facet of my music and they should hit the Bandcamp to hear the diversity in my work.

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There you have it folks. I recommend heeding his advice and perusing his Bandcamp. You can grab this new EP for just $3.33 there. Pick it up and tell your friends.

Emilio Lopez & RJBeats: Vice City Nights [DL & INTERVIEW]

Emilio Lopez has been rhyming around these Rhode Island parts for years now, and a solid local fan base has come of it. Shit, as a Demigodz member the guy co-wrote an ode to the smallest state after he moved out of it. People love him around here. And, although the Demigodz affiliation is no longer, Emilio has since been pounding the pavement on a solo mission and yielding nice results with each step. His Demolition Deluxe EP from February received well-deserved feedback, and with “Listenin’ to B.I.,” the lead single from the RJBeats-produced EP Vice City Nights, E has gained some very positive attention outside of the Northeast.

Which brings us to this point. The release date for Vice City Nights. Emilio was nice enough to sit down with TECB and answer a few questions about his latest and greatest work, his opinion on the G-O-D RiFF RaFF, and what’s in store for the future. The complete interview can be read after the cut…

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Some Wordz with Mallz: An Interview with Rapping Extraordinaire, Mallz

North Carolina is known for many things. Most notably, it’s the home of Duke and the University of North Carolina where legacies of Michael Jordan and Coach “K” started. The state has been in the news recently, but for more unfortunate reasons that I won’t get into because I’m pretty sure WordPress is owned and operated by fascists. That’s heresy. Or is it?

ANYWAY, I was fortunate to sit down with a much brighter spot from that region, Mallz. If you’re not familiar with the rapping man from the land of Raleigh-Durham, hit the jump and press play on his new single, “Sleeping Giant,” and then sit down and take a breath full of everything Mallz, Voltron, Plymouth Reliants, and star-studded rap collabs:

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TECB INTERVIEW: Getting Grimy with RI’s Milez Grimez

If you live in Rhode Island, you know the name. The rest of the world will be catching on soon enough. Milez Grimez. The talented, hard-nosed emcee has been putting in work locally for a decade-plus, and lately he’s been starting to branch out by being noticed, co-signed, and featured by some of hip-hop’s most respected. I was able to sit down with Milez to ask him a few questions concerning his come-up, the music he’s making, and what he has planned for the future.

The full interview can be read after the cut. Enjoy…

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