Some Words with Waatu – Subscapes [Waatu Revisit]

The Great White North is known for a few things; polite citizens, snow, hockey, having a queen of another country on their currency, and being a short drive from New England so countless 18-year-olds can legally drink in bars. They’re also known for their hip-hoppery. Bigger names like Kardinal Offishall and Marco Polo, lesser names like Choclair and Saukrates hail from there, and a few super-indie cats that I’ve gotten to know through these here pages of The Echo Chamber Blah … I mean Blog.

Waatu is one such cat. The producer/emcee hails from the Quebec province and is known, at least by me, for making some dark, gritty productions for emcees, as well as for his own duo, Verbezerker, with him and Vig Vega. His most recent release is a revisit of Our Hellical Mind’s Subscapes EP, which just dropped today, November 1st. If you’re not familiar with Our Hellical Mind, they’re a U.K. based, two piece live-band that rocks as hard as K.G. and J.B. when they’re taking out the devil.

I was just conversatin’ with my partner-in-paragraphs, Chris, about my recent disdain towards remixes. I felt that too many producers were spending too much time remixing famous rappers’ popular songs and not spending enough time honing their craft and building with artists specifically for original tracks. Don’t get me wrong, I like a good remix, but I felt like our inboxes here at TECB were being inundated with them. Enter Waatu and Our Hellical Mind. This “revisit” is much more than a remix, Waatu sampled OHM’s 3-track EP and created his own sound and completely transformed OHM’s sound back into his own. A concept at it’s finest, OHM’s rock heavy sound is clearly evident here, but Waatu left his hip-hop roots all over it like a piece of Banksy vandalism … er … art.

Let’s see what you think, here’s Our Hellical Mind’s “Get Money” :

And here’s Waatu’s “Get Money” with help from Vig Vega on the mic:

Stupid fresh. I got to sit down with Waatu and we rapped about this here EP…

Verbal Spacey: When you first heard Our Hellical Mind’s Subscapes, did you want to remix/revisit and make a Waatu-twist to it, or did you take it on as challenge?

Waatu: I usually remix hip-hop tracks, so I had no “lets-remix-stuff” idea in mind at the time. I met Shep (OHM’s bassist) through mutual friends, Duke01 or HeDreamtMars, on Twitter. He approached me to remix their 2nd EP, ‘analogftw’ which featured Duke01 and Dwyzak, I dived into the remix opportunity building around the vocal stems of the original project, similar to what I do when I put my hands on rap acapellas on the net.

When Shep asked me to remix Subscapes, he told me I had to remix the EP sampling the original tracks… and find people to rap on them. I took it as a challenge, yes.

VS: I’ve heard of concept albums and remixes, this is a conglomeration of both it seems. I know you’re a fan of Death Grips, did you channel your inner Death Grips for inspiration for rapping over a rock inspired backdrop? You find it harder or easier to sample from someone like Our Hellical Mind compared to a more traditional hip-hop source?

W: Definitely, I get inspired by those bands that sit between genres, even if I think that Death Grips is hip hop. I have their latest album in the iPod on repeat all day, huge fan. The Death Grips energy is unmatched, especially if you get a chance to see them in a show, it’s just crazy.

For me, the whole “sampling hip hop to make hip hop” takes the creative part out of making music, I mean, it is already hip hop-tailored, so… I rather sample TV commercials, dot matrix printers and obscure rock bands. I’m a producer, first and foremost, I only take the microphone when the track is asking for it, i.e. the “Get Money” track, I pieced together the instrumental and recorded the hook in the same session, sent it to Vig Vega with a note “This is what you have to build your lyrics around, have fun.”

VS: You and Vig Vega are Verbezerker and now you have a new tandem endeavor, you and Issuez a.k.a. Maxx Reebo as Agent Provocateur. What should we expect out of that cross-Atlantic partnership?

W: The whole project took shape during the London riots in 2011 through Twitter conversations and DMs with Maxx Reebo. I had this beat with snippets of people talking about the riots going on, I proposed it and the project name to him and he immediately liked the idea. It’s not a project about the London riots, but inspired by, it’s important to say. It’s a heavy piece, heavy drums, as usual, Maxx Reebo comes in with serious food for thought, we also managed to squeeze a few guests on this, whether it is on the microphone or turntables. I’m not allowed to get those names out in the open right now, keeping it a secret until the whole thing is wrapped up completely.

VS: Sounds like it should be intense. If a TECB reader is brand new to Waatu, what would you want them to know before the delve into this Subscapes Revisit?

W: I like beer and poutine. Jokes aside, I want them to know that this album is just one facet of my music and they should hit the Bandcamp to hear the diversity in my work.

_

There you have it folks. I recommend heeding his advice and perusing his Bandcamp. You can grab this new EP for just $3.33 there. Pick it up and tell your friends.

Verbezerker f/ Issuez & Passive65ive – “Night Falls”

Here’s one of those songs that has the ability to reel you in as a listener as soon as the track counter hit’s 00:00:01. Verberzerker is the musical duo of Vig Vega and Waatu, if you’re not familiar. They hail from the Great White North, while the two gentlemen they have featured reside in the allied power across the Atlantic, the Queen’s United Kingdom. Waatu produced this jammy, “Night Falls,” and it certainly leaves me wanting more from the Verbezerker crew.


Grab your free download of this track at Verberzerk’s Bandcamp. Issuez, or Maxx Reebo as he’s also known as, has been featured on TECB in the past, back in December when he had us Occupying Christmas. Passive65ive dropped by TECB with this cut, “Pick Your War” featuring the likes of ADAM. TECB is worldwide. Try to keep up.

Duke01 – “Separated by an Abyss”

I came across this track back in January and somehow or another I put it on the back burner to post it and it wound up with all my missing socks in my lint trap. Duke01 is a United Kingdom based emcee and the cover art you see here is done by He Dreamt Mars, which you’ll remember from his work with Black-Tokyo. This track, “Separated by an Abyss,” was produced by Montreal based beat maker (and occasional rapper) Waatu.

Feel free to grab this track and a remixed version, by Duke01 and Pete Wilson, at Duke01′s Bandcamp page. I love the high energy in this track and I’m huge fan of the cuts too, those courtesy of Johnny Crump. Duke01 just had the opportunity to open for The GZA/Genius across the pond where he performed “Separated by an Abyss.” TECB is worldwide, yo.

Verbezerker – “Memoirs of 2071″

We get a fair share of crap in our in-boxes here at TECB. So much, in fact, that when we receive something good, Chris and I celebrate by adopting a child from a war-torn nation. One such nation, Canada, is where this two-manned group, Verbezerker, originates from. Waatu and Vig Vega are who make up this (self-proclaimed) Left Field Hip Hop group and if the Waatu-produced “Memoirs of 2071″ is any indication of 2012, we should be in store for some raw, frigid music from our neighbors to the north.

Stay tuned to TECB for more work from the duo as well as other non-smut we’ll end up pushing out to your computer screens. Download your copy here and tell them TECB sent you.

Uncommon Records Presents: Save The Horn

Charities are tough to give to. I won’t lie about that. Especially when they use slimier tactics than I would use in the cell phone industry to get you to buy phones and plans you clearly can’t afford. Green Peace comes to mind. A girl straight up lied to me and my girlfriend once, telling us there was an island in the Pacific called “Trash Island” where companies dump their waste. I’m pretty sure that’s illegal, sweetie. Then she went ahead and told is “it’s only ten bucks a month, you can afford it.” I’ve never been as close to knocking a clipboard out of someone’s hands before than that moment.

In any event, the good people at Uncommon Records have released their 2nd pop-up album in 2011 where all the proceeds go to a charity. The first one, The Sun Never Sets, benefited victims of the earthquakes and tsunami in Japan this past Spring. Save The Horn, is of the same mold, sixteen-tracks of progressive hip-hop for a small $5 (at least) donation. Seems like a win-win. All the proceeds for Save The Horn will help towards paying for and building drilling equipment in order for the people of Ethiopia to have better and more drinking water. Working in San Diego the past two years allowed me to meet hundreds of Somalian and Ethiopian ex-patriots. Much like most third world nations, they did what ever they could to flee their war-torn and poverty ravished nations to come to America and settle into a community. Many times they would tell me and my co-workers about what was going back home and they were more than grateful to be here.

So this was an easy sell for yours truly. I’m a fan of hip-hop, both progressive in nature and the good ol fashioned kind, and I’m familiar with the issues surrounding the tip of Africa’s east coast. Do a good deed and head on over to Uncommon Records’ site and purchase this pop-up album, which will only be around for one month. You’ll see the likes of some of TECB favorites such as IV the Polymath, Black Tokyo, Adam Warlock, Short Fuze, Megabusive, Taiyamo Denku, Agartha Audio and many more.

I could use a Green Peace-esque sales tactic by saying I’m unemployed and my unemployment benefits were denied and I still found some money to purchase this album. But I won’t say that, because I know better than to guilt people into donating. I’ll leave that for the Catholic church (heeeyyyyy oooooohhh! *rim shot*). That being said, get your cyber-asses over there when you can. Support good music and a good cause.

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